Kirill Gerstein, piano
Steven Isserlis, cello
Kirill Gerstein’s concert with the Gewandhaus Orchestra under Semyon Bychkov at Gewandhaus zu Leipzig tonight will be broadcast live on Arte TV – he will play Rachmaninov’s Piano Concerto No. 2 alongside a performance of Schmidt’s Symphony No. 2.
You can stream the full concert tonight at 8.00pm CEST. To watch the live stream click here.
Last Sunday at Tanglewood, Kirill Gerstein performed Rachmaninov’s Rhapsody on a Theme of Paganini with the Boston Symphony Orchestra under the baton of Charles Dutoit. The Boston Globe wrote that Kirill “brought a muscular intensity and seriousness of purpose to this flashiest of works. Gerstein’s technique is formidable, but he used it not to break any land speed records but to find the constructive rigor and thoughtfulness in music whose impact can sometimes be blunted by its own popularity.”
This praise was echoed by The Berkshire Eagle: “The imaginative solo performance … looked beyond athletic display to the lyrical impulse that makes the work a rhapsody and not just a set of showy variations.”
You can stream the full concert, which also included Berlioz’s Roman Carnival Overture and Respighi’s Rome trilogy, on WGBH. Kirill’s performance begins at 17:51.
The remarkable pianist Kirill Gerstein brings technical assurance, characteristic subtlety and a gift for instilling unease to two canonical collections of miniatures — Mussorgsky’s “Pictures at an Exhibition” and Schumann’s “Carnaval” — often played more for their glittering surfaces than their unsettling depths. Well, Mr. Gerstein gets down deep.
The New York Times, July 16, 2014
Kirill Gerstein performed Rachmaninov’s Piano Concerto No. 3 with the San Diego Symphony and conductor Jahja Ling last weekend to unanimous acclaim. Playing with “unwavering focus and ardor” (San Diego Story), Kirill’s performace was hailed as “an interpretation that was remarkably alive, that seemed a constant reinvention of the music” (U-T San Diego). The praise was echoed by Bachtrack, which wrote, “His thrilling rendering of this most demanding masterpiece provided inarguable proof not only of his remarkable talent and musical accomplishment, but also of a unique personality that captivated the audience throughout his performance.”