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	<title>Kirill Gerstein</title>
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	<link>http://www.kirillgerstein.com</link>
	<description>Official website of Kirill Gerstein, pianist</description>
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		<title>STAVANGER, NORWAY</title>
		<link>http://www.kirillgerstein.com/2012/02/03/stavanger-norway-3/</link>
		<comments>http://www.kirillgerstein.com/2012/02/03/stavanger-norway-3/#comments</comments>
		<pubDate>Fri, 03 Feb 2012 21:16:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Calendar]]></category>

		<guid isPermaLink="false">http://www.kirillgerstein.com/?p=1765</guid>
		<description><![CDATA[Programme:
Elgar: Enigma Variations
Brahms: Piano Concerto no. 2]]></description>
			<content:encoded><![CDATA[<p>Stavanger Symphony Orchestra<br />
Alexander Shelley, conductor</p>
]]></content:encoded>
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		<title>HOUSTON, TX</title>
		<link>http://www.kirillgerstein.com/2012/01/22/houston-tx-5/</link>
		<comments>http://www.kirillgerstein.com/2012/01/22/houston-tx-5/#comments</comments>
		<pubDate>Sun, 22 Jan 2012 21:05:25 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Calendar]]></category>

		<guid isPermaLink="false">http://www.kirillgerstein.com/?p=1762</guid>
		<description><![CDATA[Programme:
Rachmaninoff: Vocalise
Piano Concerto No. 2
Symphony No. 3
]]></description>
			<content:encoded><![CDATA[<p>Houston Symphony<br />
Hans Graf, conductor</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<title>The final showdown: Kirill vs. “Rach 2″</title>
		<link>http://www.kirillgerstein.com/2012/01/18/the-final-showdown-kirill-vs-%e2%80%9crach-2%e2%80%b3/</link>
		<comments>http://www.kirillgerstein.com/2012/01/18/the-final-showdown-kirill-vs-%e2%80%9crach-2%e2%80%b3/#comments</comments>
		<pubDate>Wed, 18 Jan 2012 21:48:36 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Press]]></category>

		<guid isPermaLink="false">http://www.kirillgerstein.com/?p=1825</guid>
		<description><![CDATA[The third and final week of “RachFest” is filling me with excitement for the upcoming performances of Rachmaninoff’s second concerto. I’m also feeling a hint of nostalgia as this project comes to a close. It has been wonderful and challenging to be immersed uninterruptedly in Rachmaninoff’s concertos. Performing all of them with the musicians of [...]]]></description>
			<content:encoded><![CDATA[<p>The third and final week of “RachFest” is filling me with excitement for the upcoming performances of Rachmaninoff’s second concerto. I’m also feeling a hint of nostalgia as this project comes to a close. It has been wonderful and challenging to be immersed uninterruptedly in Rachmaninoff’s concertos. Performing all of them with the musicians of the Houston Symphony, becoming familiar with many of the audience members, feeling the continuity of the series and staying in Houston for three weeks has been a memorable and touching experience.</p>
<p>- <em>Houston Symphony Blog</em>, January 18, 2012</p>
<p><a href="http://houstonsymphonyblog.org/01/18/the-final-showdown-kirill-vs-rach-2/">Read the full post here</a></p>
]]></content:encoded>
			<wfw:commentRss>http://www.kirillgerstein.com/2012/01/18/the-final-showdown-kirill-vs-%e2%80%9crach-2%e2%80%b3/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>HOUSTON, TX</title>
		<link>http://www.kirillgerstein.com/2012/01/15/houston-tx-4/</link>
		<comments>http://www.kirillgerstein.com/2012/01/15/houston-tx-4/#comments</comments>
		<pubDate>Sun, 15 Jan 2012 20:58:40 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Calendar]]></category>

		<guid isPermaLink="false">http://www.kirillgerstein.com/?p=1757</guid>
		<description><![CDATA[Programme:
Rachmaninoff: Piano Concerto no. 1
Isle of the Dead
Piano Concerto no. 4]]></description>
			<content:encoded><![CDATA[<p>Houston Symphony<br />
Hans Graf, conductor</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<title>Kirill writes about his time at RachFest</title>
		<link>http://www.kirillgerstein.com/2012/01/11/kirill-writes-about-his-time-at-rachfest/</link>
		<comments>http://www.kirillgerstein.com/2012/01/11/kirill-writes-about-his-time-at-rachfest/#comments</comments>
		<pubDate>Wed, 11 Jan 2012 20:02:08 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.kirillgerstein.com/?p=1820</guid>
		<description><![CDATA[Join Kirill as he shares his thoughts on performing as artist-in-residence during the Houston Symphony&#8217;s &#8220;RachFest.&#8221; Two posts are available to read in the &#8220;Press&#8221; section of this site, and future posts will be available both here and on the Houston Symphony&#8217;s blog.]]></description>
			<content:encoded><![CDATA[<p>Join Kirill as he shares his thoughts on performing as artist-in-residence during the Houston Symphony&#8217;s &#8220;RachFest.&#8221; Two posts are available to read in the &#8220;Press&#8221; section of this site, and future posts will be available both here and on the Houston Symphony&#8217;s <a href="http://houstonsymphonyblog.org/">blog</a>.</p>
]]></content:encoded>
			<wfw:commentRss>http://www.kirillgerstein.com/2012/01/11/kirill-writes-about-his-time-at-rachfest/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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		<title>One down, three to go! On deck: Rach 1 &amp; 4</title>
		<link>http://www.kirillgerstein.com/2012/01/11/one-down-three-to-go-on-deck-rach-1-4/</link>
		<comments>http://www.kirillgerstein.com/2012/01/11/one-down-three-to-go-on-deck-rach-1-4/#comments</comments>
		<pubDate>Wed, 11 Jan 2012 17:22:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Press]]></category>

		<guid isPermaLink="false">http://www.kirillgerstein.com/?p=1818</guid>
		<description><![CDATA[Our “RachFest” continues this week with a pairing of Rachmaninoff’s 1st and 4th piano concertos. These two wonderful pieces are sometimes undeservedly overshadowed by their more famous cousins. I am glad to have the chance to present them to the Houston audience, and playing them together in one program makes a lot of sense. - [...]]]></description>
			<content:encoded><![CDATA[<p>Our “RachFest” continues this week with a pairing of Rachmaninoff’s 1st and 4th piano concertos. These two wonderful pieces are sometimes undeservedly overshadowed by their more famous cousins. I am glad to have the chance to present them to the Houston audience, and playing them together in one program makes a lot of sense.</p>
<p>- <em>Houston Symphony Blog</em>, January 11, 2012</p>
<p><a href="http://houstonsymphonyblog.org/01/11/one-down-three-to-go-on-deck-rach-1-4/">Read the full post here</a></p>
]]></content:encoded>
			<wfw:commentRss>http://www.kirillgerstein.com/2012/01/11/one-down-three-to-go-on-deck-rach-1-4/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A fearless hand ballet: Gerstein attacks a naughty RachFest with a perfectionist&#8217;s cool for Symphony</title>
		<link>http://www.kirillgerstein.com/2012/01/10/a-fearless-hand-ballet-gerstein-attacks-a-naughty-rachfest-with-a-perfectionists-cool-for-symphony/</link>
		<comments>http://www.kirillgerstein.com/2012/01/10/a-fearless-hand-ballet-gerstein-attacks-a-naughty-rachfest-with-a-perfectionists-cool-for-symphony/#comments</comments>
		<pubDate>Tue, 10 Jan 2012 22:27:13 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Press]]></category>

		<guid isPermaLink="false">http://www.kirillgerstein.com/?p=1813</guid>
		<description><![CDATA[If Sergei Rachmaninoff&#8217;s Third Piano Concerto could talk, it would say take me, love me, hug me, hold me, adore me. And that&#8217;s just the PG version. I suspect what&#8217;s lurking between the lines would be more sultry, even naughty, not verbiage I&#8217;d be willing to put down on a critique of such a classic. [...]]]></description>
			<content:encoded><![CDATA[<p>If Sergei Rachmaninoff&#8217;s Third Piano Concerto could talk, it would say take me, love me, hug me, hold me, adore me.</p>
<p>And that&#8217;s just the PG version. I suspect what&#8217;s lurking between the lines would be more sultry, even naughty, not verbiage I&#8217;d be willing to put down on a critique of such a classic. But if you could picture a passionate romantic romp that was set in motion with a shot of vodka, a piece of rye and a spoon full of caviar, this soundtrack would not be in the background, it would be paramount to the escapade.</p>
<p>- <em>CultureMap Houston</em>, January 6, 2012</p>
<p><a href="http://houston.culturemap.com/newsdetail/01-06-12-a-fearless-hand-ballet-gerstein-attacks-rachfest-with-a-perfectionists-cool-for-houston-symphony/">Read the full article here</a></p>
]]></content:encoded>
			<wfw:commentRss>http://www.kirillgerstein.com/2012/01/10/a-fearless-hand-ballet-gerstein-attacks-a-naughty-rachfest-with-a-perfectionists-cool-for-symphony/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Houston Symphony promotes its version of a prizefight</title>
		<link>http://www.kirillgerstein.com/2012/01/10/houston-symphony-promotes-its-version-of-a-prizefight/</link>
		<comments>http://www.kirillgerstein.com/2012/01/10/houston-symphony-promotes-its-version-of-a-prizefight/#comments</comments>
		<pubDate>Tue, 10 Jan 2012 22:08:09 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Press]]></category>

		<guid isPermaLink="false">http://www.kirillgerstein.com/?p=1806</guid>
		<description><![CDATA[The people at the Houston Symphony have come up with a pretty clever campaign for its upcoming RachFest: The advertising deliberately resembles a promotion for a boxing match. For three weeks in January, Jones Hall will play host to &#8220;the biggest, baddest showdown of the century&#8221;: composer Sergei Rachmaninoff &#8220;vs.&#8221; pianist Kirill Gerstein. The analogy [...]]]></description>
			<content:encoded><![CDATA[<p>The people at the Houston Symphony have come up with a pretty clever campaign for its upcoming RachFest: The advertising deliberately resembles a promotion for a boxing match.</p>
<p>For three weeks in January, Jones Hall will play host to &#8220;the biggest, baddest showdown of the century&#8221;: composer Sergei Rachmaninoff &#8220;vs.&#8221; pianist Kirill Gerstein.</p>
<p>The analogy sort of makes sense. The famous Russian composer wrote four big-fisted piano concertos that are each daunting for any pianist. The 32-year-old Gerstein is bravely stepping into the ring to play all four of them.</p>
<p>- <em>Houston Chronicle</em>, January 3, 2012</p>
<p><a href="http://www.chron.com/life/article/Houston-Symphony-promotes-its-version-of-a-2439278.php">Read the full article here</a></p>
]]></content:encoded>
			<wfw:commentRss>http://www.kirillgerstein.com/2012/01/10/houston-symphony-promotes-its-version-of-a-prizefight/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Kirill Gerstein celebrates Rachmaninoff in Houston</title>
		<link>http://www.kirillgerstein.com/2012/01/10/kirill-gerstein-celebrates-rachmaninoff-in-houston/</link>
		<comments>http://www.kirillgerstein.com/2012/01/10/kirill-gerstein-celebrates-rachmaninoff-in-houston/#comments</comments>
		<pubDate>Tue, 10 Jan 2012 21:59:08 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://www.kirillgerstein.com/?p=1801</guid>
		<description><![CDATA[Kirill spends January as artist-in-residence with the Houston Symphony&#8217;s &#8220;RachFest,&#8221; a month-long celebration of Rachmaninoff&#8217;s works. During the festival, Kirill undertakes the monumental task of performing all four of the composer&#8217;s piano concertos, the first performance of which occurred January 5. Everett Evans of the Houston Chronicle, discussing Kirill&#8217;s interpretation of the &#8220;gargantuan&#8221; Piano Concerto [...]]]></description>
			<content:encoded><![CDATA[<p>Kirill spends January as artist-in-residence with the Houston Symphony&#8217;s &#8220;RachFest,&#8221; a month-long celebration of Rachmaninoff&#8217;s works. During the festival, Kirill undertakes the monumental task of performing all four of the composer&#8217;s piano concertos, the first performance of which occurred January 5. Everett Evans of the Houston Chronicle, discussing Kirill&#8217;s interpretation of the &#8220;gargantuan&#8221; Piano Concerto no. 3, praised his &#8220;mastery of the music&#8217;s ever shifting moods.&#8221; </p>
<p>RachFest continues on January 13 with performances of Rachmaninoff&#8217;s Piano Concertos nos. 1 and 4, and concludes on January 19, 21, and 22 with his Piano Concerto no. 2. Hans Graf conducts these performances. For more information, and to purchase tickets, click <a href="http://www.houstonsymphony.org/rachfest/">here</a>.</p>
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			<wfw:commentRss>http://www.kirillgerstein.com/2012/01/10/kirill-gerstein-celebrates-rachmaninoff-in-houston/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Getting ready to Rach: Kirill Gerstein on Rachmaninoff’s Piano Concerto No. 3</title>
		<link>http://www.kirillgerstein.com/2012/01/10/getting-ready-to-rach-kirill-gerstein-on-rachmaninoff%e2%80%99s-piano-concerto-no-3/</link>
		<comments>http://www.kirillgerstein.com/2012/01/10/getting-ready-to-rach-kirill-gerstein-on-rachmaninoff%e2%80%99s-piano-concerto-no-3/#comments</comments>
		<pubDate>Tue, 10 Jan 2012 20:21:13 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Press]]></category>

		<guid isPermaLink="false">http://www.kirillgerstein.com/?p=1797</guid>
		<description><![CDATA[I am excited to start our joint Rachmaninoff adventure with the Houston Symphony this week. In my opinion, Rachmaninoff’s concertos are some of the most gratifying pieces written for the piano. Playing and hearing the four concertos in three consecutive weeks offers a special opportunity to hear the essence of Rachmaninoff’s voice while observing the [...]]]></description>
			<content:encoded><![CDATA[<p>I am excited to start our joint Rachmaninoff adventure with the Houston Symphony this week. In my opinion, Rachmaninoff’s concertos are some of the most gratifying pieces written for the piano. Playing and hearing the four concertos in three consecutive weeks offers a special opportunity to hear the essence of Rachmaninoff’s voice while observing the changes and growth of his style.</p>
<p>- <em>Houston Symphony Blog</em>, January 4, 2012</p>
<p><a href="http://houstonsymphonyblog.org/01/04/getting-ready-to-rach-kirill-gerstein-on-rachmaninoffs-piano-concerto-no-3/">Read the full post here</a> </p>
]]></content:encoded>
			<wfw:commentRss>http://www.kirillgerstein.com/2012/01/10/getting-ready-to-rach-kirill-gerstein-on-rachmaninoff%e2%80%99s-piano-concerto-no-3/feed/</wfw:commentRss>
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